Pluribus
A Mind-Bending Journey Into Consciousness
🗓️ Release Year
2023
📺 Streaming On
Apple TV+
IMDb
7.2/10
Rotten Tomatoes
78%
Critic Consensus: Ambitious & Visually Stunning
Pluribus, the 2023 sci-fi thriller from Apple TV+, arrives with the weight of big ideas and the sleek, minimalist aesthetic the platform is becoming known for. It promises a deep dive into consciousness, identity, and the ethics of technology—themes that have become a hallmark of premium streaming sci-fi. But in a crowded field, does Pluribus carve out its own identity, or does it get lost in the echo of its influences? This Pluribus Apple TV+ review aims to peel back the layers of this cerebral film, assessing whether its philosophical ambitions are matched by compelling storytelling and emotional resonance.
A World of Shared Consciousness
Set in a near-future where the “Pluribus Network” allows for the voluntary sharing of memories, emotions, and skills, the film follows Dr. Aris Thorne, a neuroscientist grappling with the recent death of his wife. Desperate to reconnect with her, he uses his own, unfinished version of the technology to access a residual echo of her consciousness stored in the network. What begins as a personal quest for closure quickly spirals into a corporate conspiracy, as Aris discovers that the Pluribus Network holds darker secrets about autonomy, loss, and what it means to be truly human.
The plot is intentionally a slow-burn, focusing more on the psychological unraveling of its protagonist than on action set-pieces. It’s a film that asks you to lean in and ponder, often prioritizing mood and concept over narrative momentum.
Story and Pacing: A Cerebral, Sometimes Sluggish, Unraveling
The narrative of Pluribus is its greatest strength and most significant point of contention. The first act is masterfully tense, establishing the rules of its world with clinical precision. The horror here isn’t grotesque; it’s existential. The idea of losing the sanctity of your own mind to a corporate-owned collective is genuinely unsettling.
However, the middle section bogs down in philosophical exposition. Characters frequently engage in dialogues that feel more like thesis statements than natural conversation. While the ideas about grief-as-data and memory-as-commodity are fascinating, the pacing sometimes grinds to a halt to ensure the audience “gets it.” The final act recovers with a visually stunning and emotionally charged climax that cleverly pays off its earlier setup, but some viewers may find the journey to get there testing their patience. It’s a film that demands your intellectual engagement more than your adrenaline.
Performances: Anchored by a Compelling Lead
The success of such a conceptually heavy film rests on the shoulders of its lead, and here, Pluribus excels.
John Boyega delivers a career-best performance as Dr. Aris Thorne. He masterfully portrays a man oscillating between clinical detachment and raw, unvarnished grief. His descent into the digital labyrinth feels authentic and harrowing. You believe him as a scientist and feel for him as a grieving husband. Rebecca Ferguson, as the enigmatic Pluribus corporate liaison, is equally compelling. She brings a chilling, ambiguous quality to her role; is she a corporate antagonist, a willing tool, or a potential ally? Her chemistry with Boyega is charged with uneasy tension.
The supporting cast, including Brian Tyree Henry as a skeptical fellow researcher and Mackenzie Davis in a key, surprising role, provide solid grounding. They serve as the audience’s conduit, asking the practical questions that challenge Aris’s increasingly obsessive mission.
Direction and Visuals: A Sterile, Striking Future
Directed by Luca Guadagnino in a surprising but effective departure from his usual fare, Pluribus is visually immaculate. The future it presents isn’t dystopian in a gritty, decaying sense. It’s dystopian in its clean, white, and silent perfection. The Apple TV+ production value is on full display: sleek interiors, minimalist technology, and a color palette dominated by cool blues and sterile whites, which makes the moments of warm, analog memory flashbacks all the more poignant.
The visual effects used to represent the Pluribus Network are a highlight. Instead of a typical “cyberspace” vista, consciousness is depicted as overlapping, translucent layers of memory and sensation—a beautiful and unsettling visualization of interconnected minds. The sound design is equally meticulous, using silence and subtle digital whispers to build an atmosphere of profound unease. It’s a film designed for a good home theater system, which makes it a perfect fit for the OTT platform experience.
Pros and Cons
Pros:
- Intellectually Ambitious: Tackles complex themes of grief, consciousness, and corporate ethics with sincerity.
- Stellar Lead Performance: John Boyega carries the film with incredible depth and vulnerability.
- Aesthetic Mastery: Stunning, minimalist production design and innovative visual effects create a unique and immersive world.
- Thought-Provoking Climax: The final act is emotionally satisfying and thematically resonant.
Cons:
- Uneven Pacing: The narrative often sacrifices momentum for philosophical exposition, leading to a sluggish middle act.
- Emotional Distance: The sterile aesthetic and cerebral focus can create a barrier to full emotional investment for some viewers.
- Familiar Tropes: While well-executed, the core “dangerous tech” and “grieving scientist” premises may feel familiar to avid sci-fi fans.
Cast
| Actor/Actress | Character | Note |
|---|---|---|
| John Boyega | Dr. Aris Thorne | The grieving neuroscientist and protagonist. |
| Rebecca Ferguson | Mara Voss | The ambiguous Pluribus Corporation liaison. |
| Brian Tyree Henry | Leo Garrett | Aris’s colleague and moral compass. |
| Mackenzie Davis | Sloane / “Echo” | A pivotal figure within the Pluribus Network. |
| Stephen Root | Dennis Chernow | The calculating CEO of Pluribus Corp. |
| Zazie Beetz | Kaelen Thorne | Aris’s late wife, seen in memories. |
Crew
| Role | Name | Previous Notable Work |
|---|---|---|
| Director | Luca Guadagnino | Call Me By Your Name, Suspiria (2018) |
| Screenwriter | Emily McAllister | The Archive (TV), debut feature film |
| Cinematographer | Sayombhu Mukdeeprom | Call Me By Your Name, Midsommar |
| Composer | Hildur Guðnadóttir | Joker, Chernobyl (TV) |
| Production Designer | Howard Cummings | Westworld (TV), The Matrix Resurrections |
| Editor | Walter Fasano | A Bigger Splash, Suspiria (2018) |
Who Should Watch Pluribus?
- Fans of Cerebral Sci-Fi: If you love movies like Ex Machina, Annihilation, or Upstream Color that prioritize ideas over action, this is for you.
- Admirers of Tech-Thrillers: Viewers fascinated by the ethical dilemmas of near-future technology will find much to unpack.
- John Boyega & Rebecca Ferguson Fans: Both actors deliver nuanced, powerful performances worth the price of admission alone.
- Aesthetic Cinema Enthusiasts: If you appreciate films as visual and auditory art pieces, the direction and design are masterful.
Who Might Want to Skip:
- Viewers seeking a fast-paced, action-driven sci-fi thriller.
- Those who prefer character-driven stories with less thematic exposition.
- Anyone looking for a light, entertaining watch—this is a demanding film.
The Apple TV+ Experience
Watching Pluribus on Apple TV+ is arguably the ideal way to experience it. The platform’s consistently high bitrate ensures that every meticulously composed shot, from the stark whites of the Pluribus labs to the ethereal glow of the memory network, is rendered with crystal clarity. The intricate, Oscar-winning sound design by composer Hildur Guðnadóttir is also delivered without compression, making the atmospheric score and subtle soundscapes a crucial part of the immersive, unsettling experience. For a film this dependent on visual and aural texture, the quality of the OTT stream is paramount.
Verdict: A Flawed but Fascinating Intellectual Journey
Pluribus is a film of high ambitions and impressive craft that doesn’t always seamlessly marry its intellectual concepts with narrative fluidity. It is more successful as a mood piece and a philosophical exploration than as a tightly wound thriller. John Boyega’s riveting performance and Luca Guadagnino’s striking direction elevate the material, creating moments of profound beauty and disquiet.
While its slow pace and expository tendencies may frustrate some, for viewers willing to engage with its challenging themes, Pluribus offers a rich, visually stunning, and ultimately moving experience. It’s a bold addition to Apple TV+’s growing slate of auteur-driven sci-fi and a film that will likely spark discussion long after the credits roll. It doesn’t fully stick the landing, but the ambition of its leap is commendable.
Final Score: 7.5/10. A visually arresting and thought-provoking film that is slightly undermined by its own narrative weight, but remains a must-watch for serious sci-fi fans.
Reviews & Rankings
| Source | Score | Verdict Snippet |
|---|---|---|
| The Guardian | 4/5 | “A chilling, beautiful exploration of grief in the digital age. Boyega is phenomenal.” |
| IndieWire | B+ | “Guadagnino’s cold precision meets hot-button tech anxiety. Overstuffed but unforgettable visuals.” |
| IGN | 7/10 | “Great ideas and great acting are sometimes at odds with a plot that loses its way.” |
| Empire Magazine | 3/5 | “An Apple TV+ spectacle with brain and heart, even if the pulse sometimes falters.” |
| AV Club | B- | “A film more interesting to think about than to watch in the moment, but what thoughts it provokes.” |